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Gloria NaylorA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As Brewster Place’s super, Ben sees everyone come and go. He doesn’t get involved in anyone’s business, but he sometimes wonders about people’s actions, as with Eugene and Ceil. Eugene left Ceil and came back multiple times during the six years they spent in Brewster Place, and Ben wonders why. He figures, though, that “if Eugene wanted [him] or anybody else to know his business, he would bring it to [them]” (68).
Eugene tells Ceil that there is so much he wants her to know, starting with the fact that he did love her and their baby daughter, Serena. When she was born, he believed they’d be able to make it. He remembers the walks that he and Ceil took through nice neighborhoods, daydreaming about the house they would live in one day. However, as soon as they managed to save a bit of money, Eugene took half of it and vanished. Eugene and Ceil met when he was 14 and spent summers in Tennessee. When the summer ended, they became pen pals, and Ceil shared her dreams of seeing the world and being special. At 18, they married, and Eugene “proceeded slowly […] to ruin [her] life” (71).
Eugene met Bruce working on the docks. He was the head foreman and “everything [Eugene] believed a black man should be: big, dark, and mean” (72). He was a fair boss, ensuring that there was hot coffee at break time and a full hour for lunch. He also didn’t complain about a basketball hoop attached to the back of the toolshed where the men sometimes played on their break, and he even occasionally joined in.
Eugene says that the day that changes your life “rarely starts out as anything special” (74). One August afternoon, Bruce asked Eugene if he wanted to play basketball one-on-one. That day, he noticed Bruce staring at him and became nervous, worrying that he might lay him off. That night after the game, they ended up at Bull & Roses, the local gay bar. Bruce told Eugene that he had watched from his usual stool as Eugene repeatedly walked past the bar and hesitated in front of the door; he says, “That’s how I knew” (78). The bar was full of men except for a table at the back, occupied by two women. One of the women moved toward them. As she approached, Eugene realized that the figure was a man in a silver lamé bodysuit; however, he would later learn that the individual, Chino, was not a man either but “an island unto himself; his own country; his own god” (79). While Chino is occasionally referred to with female pronouns, he is primarily described using male pronouns throughout the book and exclusively referred to in this way by Eugene.
Chino had transitioned but came to understand that “he didn’t really want to be a woman” (80). Rather, “it was easier to handle the world’s contempt—as well as his own—to think of himself as a woman loving men than a man loving men” (80). Now, Chino had decided that he simply wanted to be “divine.” He spoke in the third person and flirted with Eugene until Bruce dismissed him. Eugene asked Bruce if he worried about men from work seeing him there, but Bruce said that he didn’t “give a flying fuck what anyone [thought]” (82). Eugene wished that he felt the same way, but he worried about Ceil finding out. He began resenting their marriage and started lying to her.
Initially, Eugene only went to the Bull & Roses to look at men and “relish the possibilities” (83). Afterward, he would take long showers, letting the water cover the sound of his crying and trying to scrub away his thoughts. When Ceil started complaining about the water bill, he had to stop. The next month, the bill went down, but the month after that, Eugene left. Newly single, he started going home with men from the Bill & Roses, which made him feel whole. Bruce became Eugene’s “godfather” in the gay world, and Chino was like his “fairy godmother.”
When Eugene found out that Ceil was pregnant, he went back to her but soon left again and again. The pattern repeated itself until Chino convinced him that it would be kinder for Eugene to divorce her, even though she was now pregnant with their second child. Eugene blamed Ceil for getting pregnant again, feeling saddled “with the burden of one more child to love” (87).
The night that Eugene got laid off from the docks, he came home and picked a fight, hoping that Ceil would throw him out. Instead, she got an abortion she didn’t want, and Eugene stayed for another six months. Then, one day, he came home lying about a new job in Maine and packing his bags. Ceil begged him to stay. Their daughter, Serena, was playing in the next room. They didn’t think about her until they heard a scream; she had stuck the metal tines of a fork into an electrical outlet.
Eugene believes that he murdered his daughter. He didn’t reveal his pain in public, but back in his room, he prayed that God would take his life in exchange for turning back time to when his baby daughter was still alive. He knew if he let the pain in, he would kill himself.
Eugene visited Chino, who greeted him in a silk kimono at the door. He told Chino that Serena had been buried and then sank to the ground, sobbing. Chino “was a man who was used to satisfying desires” and knew that Eugene wanted “redemption” (94). He reached for a leather whip and beat Eugene with it, slowly replacing his pain.
Ben describes the two things that people in Brewster Place take most seriously: children and religion. Every summer, a big revival meeting occurs nearby, and Ben enjoys hearing the music, even if he doesn’t often go to church. Before the revival tent goes up, Reverend Moreland T. Woods always appears on the block, trying to ensure that he doesn’t lose too many congregation members to the revivalists. Ben worries that the reverend’s soul is “so smooth” that he cannot “understand what the common man is going through” (98).
Reverend Woods is frustrated because the deacon’s board will not approve his request to build a new church. His church, Sinai Baptist, often overflows with people who want to hear Reverend Woods preach. However, the deacon board insists that they cannot afford another church and instead want Woods to preach two services. Woods believes that the resistance stems from jealousy; he thinks that Deacon Bennett resents him. Woods intends to become the preacher of a large congregation and use the notoriety to run for public office, starting small with the community board and moving up to mayor.
Woods moved to the United States from Jamaica, where his grandmother, Mama Lou, raised him. She always told him that there was “greatness waiting for” him (100). At 18, he walked past a sugar cane field and thought he heard his name from the field of grass like “thousands in a congregation […] calling him to come serve” (101). Before this, Woods had attended church weekly to keep his grandmother happy. Now, however, he contemplated what he would need to do to become the head of a large church, ultimately deciding that if he trusted in himself, God would provide for him.
Woods moved to the United States. He worked at a shoe factory and paid his way through college, always “[keeping] his eye out for the church that was going to propel him into his destiny” (103). He settled on the Baptist Church, drawn to the size range and the fact that men like Martin Luther King, Jr., had come out of the Baptist Church. He married a woman named Annette, who also believed that he was destined for greatness. Eventually, Woods began preaching at Sinai Baptist to a poor, Black congregation. He offered attendees “respite from lives that were overworked and underpaid” (104), and in return, the congregation “kept him in his fancy clothes, his fancy car, and his brick house” (104).
Deacon Bennett doesn’t fall for Woods’s “smooth talking,” having seen pastors who think too highly of themselves come and go. Deacon Bennett grew up attending dramatic Pentecostal services and believed that “the purpose of religion was to make you feel” (106). When he was 16, his church closed, and Bennett switched to a Baptist church, where he admired the seriousness of the services and the dignity of the ushers. Bennett believed that the church greatly benefited Black men and worked hard to increase male membership, including establishing a mentorship program for young men.
Now that Sinai Baptist’s congregation has grown so much, Bennett looks forward to establishing more community programs like scholarship funds and perhaps building a community center with tutors and after-school programs. He thinks that a bigger church would only serve to bolster Reverand Woods’s ego. Aware of Woods’s drinking and womanizing, Bennett muses that a hangover was the likely cause of his supposed visions from God. There have been rumors about his womanizing within the congregation, but no one has confirmed it; Bennett is surprised that they are all willing to protect the man. He believes that it was a mistake to make Woods their minister and wonders how much his departure would hurt the church. Nevertheless, Bennett has found his calling at Sinai Baptist and refuses to give it up.
As Woods prepares to meet with the deacons’ board, he misses his late wife, Annette. She understood his drive and ambition, as well as his affairs, and she never chastised him “as long as he was discrete” (109). However, her silence often made him feel more guilty than screaming accusations. He wonders if it might be time to find a new wife but considers that it might be more advantageous to stay single and enjoy the affairs that come as “a fringe benefit of the job” (110). He knows the deacons are trying to get rid of him but figures that his personal life is none of their business. He knows that the Sinai Baptist has the money to build a larger church and is determined to break the “short leash” that the deacons keep him on.
Deacon Bennett arrives early for the board meeting and prepares the room, intending to play a trick on Woods. Bennett hides his nephew, an aspiring actor, in the coat closet with a straw broom and a cardboard tube to use as a microphone, telling him to act when Bennett coughs as a signal. Woods arrives 30 minutes late and launches into his arguments for a larger church. Bennett coughs twice as he tells Woods that there simply isn’t enough money for a new church. Then, a strange swishing sound seems to emanate from the walls. Woods tries to continue his argument but is distracted by the sound that none of the other deacons claim to hear. A disembodied voice begins to speak Woods’s name, and Bennett clenches his fists to keep from laughing as he suggests that Woods is receiving a message from God. When the voice tells the preacher that he “ain’t getting no new church” (114), the deacons burst into laughter. Furious, Woods tells the board that he will call a referendum and let the congregation vote on the matter of a new church.
The referendum is scheduled for later in the summer, and Woods begins a battle to win the vote. Deacon Bennett spreads the rumor that a new church would bankrupt the congregation. As the rumor becomes increasingly implausible, Woods knows that he must “fight fire with fire” (116). One day, a young woman from the congregation comes to the reverend, pregnant but unsure who the father is. However, she had slept with a man on the deacons’ board earlier in the year. Woods believes that this girl is the ticket to his new church. He tells her that he will call her to the mourners’ bench on Sunday, where she will be forgiven, but he also plans to call the girl’s “partner in sin” to come clean (117). After delivering his sermon on Sunday, Woods calls for the man to come to the mourners’ bench and repent. When no one comes, he stands directly before the deacons’ pews and calls again. No one comes forward, but Woods sees a whisper spreading throughout the congregation. Looking into Bennett’s eyes, Woods sees “a flicker of admiration” (118).
A year later, Sinai Baptist breaks ground on the new church. Bennett offers a blessing that makes the whole project seem like the deacons’ board’s idea, but he thinks that he isn’t finished fighting to keep his church together.
Like Basil, Eugene’s story is another key deviation from the depiction of male characters in The Women of Brewster Place. In Women, Eugene is angry, selfish, and uncaring, constantly blaming his wife, Ceil, and their children for his inability to get ahead economically. Ceil, desperate to keep her husband happy, has an abortion she doesn’t want and eventually loses everything: her husband, toddler daughter, unborn child, and dream of a happy family. However, The Men of Brewster Place reveals Eugene as a man deeply ashamed of his sexuality and terrified to tell his wife that he is gay. Eugene’s chapter delves into how identities intersect and heighten marginalization. Eugene struggles to define himself as a Black man and fulfill the traditional gender roles of husband and father due to his sexuality. He believes that being gay fundamentally undermines his manhood, and he worries that Ceil would “no longer see [him] as a man […] but as some sort of freak” (82). Instead, he has tried to emulate what he thought “a black man should be: big, dark, and mean” (72); however, trying to embody this stereotype of masculinity destroyed his and Ceil’s life. Eugene’s difficulty accepting his sexuality and failed embodiment of stereotypical Black masculinity further demonstrate the theme of Performative Masculinity and the Impact of Systemic Racism.
Eugene’s chapter also deals with the theme of Coping With Pain and Loss. All the men in the novel deal with pain and loss of some kind, and their reactions to it are generally shaped by how they believe men are supposed to behave. After the death of his baby daughter, Eugene has responded to sympathy or blame with either his “strong-black-man mask” or his “fuck-you-all-who-gives-a-shit mask” (90-91), stuffing his real feelings out of sight. To deal with his guilt and sorrow, he visited the transgender sex worker Chino, asking him to whip him and “replace” his pain so that he didn’t have to face it.
Unlike Basil and Eugene, Reverend Moreland T. Woods does not deviate much from his characterization in The Women of Brewster Place. In Women, one of the female characters falls victim to his womanizing tendencies. Similarly, his chapter in Men depicts a man whose sense of entitlement leads him to use his church to fulfill his selfish ends. Woods exhibits incredible self-confidence compared to the other characters. He is a man with “his faith […] in himself” and believes that he is “a magnificent specimen of a man” (102, 100). However, Woods gains wealth, power, and success at the expense of others. His story introduces issues of classism, illustrating how poverty, as well as race, are key factors in oppression and marginalization.
The chapter also illustrates the importance of religion in building community at Brewster Place. Deacon Bennett explains that the church is “sometimes the only way […] for Black men to exercise leadership and responsibility” (106). Individuals like Woods and Bennett have fulfilled their vision of what it means to be a man through their work in the church, becoming individuals who garner respect, provide for their families, and lead their community. For Deacon Bennett, the church’s power lies in its ability to serve and better the community, and he dreams of expanding social programs like scholarship funds and tutoring services. However, Woods wants to use the church to further his own success, undermining the supposed honor of manhood.
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